Showing posts with label The Writer's Life. Show all posts
Showing posts with label The Writer's Life. Show all posts

Friday, May 1, 2009

Push the Limits


For as long as they've been around, books have enlightened , instructed and given pleasure. Despite this, and freqently because of it, too, they have also offended and outraged in equal measure.

The history of book censorship is long and colourful, from Chaucer's Canterbury Tales to Lady Chatterley's Lover and beyond. And if you thought that in this enlightened, more tolerant age censorship was on the decline you'd be wrong. Each year more and more books are challenged and removed from bookshelves on the grounds of what is deemed to be "inappropriate" content. It may surprise you to know that the immensely popular authors J.K Rowling and Judy Blume have both fallen under the hands of censors.

Censorship mainly occurs on a local level, affecting the distribution of titles through local or school libraries only, although a government will occasionally step in to ban a book. Whilst it still remains legal to read these titles, the rulings can make them difficult to find especially in those countries where the government is perceived as being particularly militant or repressive.

Booksellers have also been guilty of removing books from their shelves, caving in to pressure from their customers or from perceived threats from consumer groups. Public outrage can be a powerful tool though sadly seldom wisely exercised.


What follows is an account of ten of the most challenged books throughout the history of literature. Some have ironically grown infamous through the controversy, leading to them being more widely read than ever. Others are lesser known, and some are just plain surprising. Whilst by no means a definitive list nor in any particular order, it does however demonstrate that our basic concerns about what is deemed suitable for a public arena have changed very little over the centuries.


1) Animal Farm by George Orwell (1945)

Now considered one of Orwell's most popular and enduring works Animal Farm was completed in 1944 but delayed for publication by British publishing firms for fear of offending their Soviet allies. Utilizing the form of the animal fable, this novelette chronicles the attempts by a group of barnyard animals to revolt against their human masters in an attempt to create a Utopian state.

On a larger scale, commentators widely view Animal Farm as an allegory for the rise and decline of socialism in the Soviet Union and the emergence of the totalitarian regime of Joseph Stalin. Critics regard the story as an insightful and relevant exploration of human nature as well as political systems and social behavior. After its translation into Russian, it was banned by Stalin's government in all Soviet-ruled areas.


2) American Psycho by Bret Easton Ellis (1991)


Despite the huge amount of press coverage regarding the apparant social, moral and sexual dereliction of Easton Ellis's novel, it only romped in at number 60 in the 2005 American Library Association's 100 most frequently challenged books.

A first person account, told from the perspective of serial killer and Manhattan businessman Patrick Bateman, the novel chronicles the double life of its protagonist in unswerving and intimate detail. Originally intended for publication in 1991 by Simon and Schuster, the publishers later pulled out of the deal because of the novel's content. It was eventually published by Vintage in a heavily edited form. The book has received an R18 content warning in New Zealand prohibiting its sale to persons under the age of eighteen.

In 2000 a film adaptation of the book opened to mainly positive reviews. Ironically the mother of the film's star, Christian Bale, was one of the novel's main detractors. Gloria Steinem spoke out vociferously on the subject of the book's relentlessly mysogynistic themes. Of all the books in this list, this is the one which most of my friends say has been the hardest to complete, many giving up in the face of its relentless violence without the mitigation of either remorse or emotion.

3) The Catcher in The Rye by J D Salinger (1951)


A great example of a book that is both lauded and admonished in equal measure. Originally published for adults, the novel has become a common inclusion in both school and university curricula being translated into almost all of the world's major languages. Around 250,000 copies are sold each year, with total sales of more than sixty-five million.

The novel's anti-hero, Holden Caufield, has become an icon for teenage rebellion and defiance.
The first person narrative, which follows the weeks following Caufield's expulsion from his American prep school, is both a story of maturation and degeneration as Caufield's increasingly unreliable narrator slowly deteriorates into a state of mental breakdown.

Taken to the hearts of disaffected youth throughout the world, the book remains one of the most challenged in literature probably due to the perceived negative influence it is said to have over its target audience. In particular, it has been criticised for its expressions of profanity, sexuality and teenage angst.


4) Beloved by Toni Morrison (1987)


Morrison's Pulitzer Prize winning novel, also named Best Book of the last 25 years by The New York Times, is a loose interpretation of the life and legal trial of slave Margaret Garner. The book's epigraph: "sixty million and more" refers to the estimated number of slaves to have died in the trade.

The novel examines both the mental and physical trauma caused by slavery as well as its effect on survivors and follows the story of Sethe and her daughter Denver as they try to rebuild their lives after having escaped from slavery.

In 1998 the book was made into a film directed by Jonathan Demme and starring Oprah Winfrey.

American groups, including Citizens for Literary Standards in Schools, objected to the inclusion of the book onto its cirriulum due to
its depictions of "incest, rape, pedophilia, graphic sex, extreme violence, sexual abuse, physical/emotional abuse, infanticide, and an extensive amount of profanity". It may also be that they felt uncomfortable publicy distributing a work which showed the depravity of a period in their history that was still too recent for comfort...


5) Farenheit 451 by Ray Bradbury (1953)


Bradbury's speculative novel about a future American society in which hedonism is encouraged at the expense of critical thought and freedom of expression. The central character is employed as a fireman, which in this dystopian world translates as someone whose job it is to burn books.The title comes from the temperature at which paper auto-ignites (although the factual correctness of this has since been disputed).

Written in the early years of the Cold War, the novel is a critique of what Bradbury saw as an increasingly dysfunctional American society and is frequently interpreted as being critical of state-sponsored censorship. In 2007 Bradbury himself stated that the intention of the book was to explore the effects of television and mass media on the reading of literature although in an earlier edition, a coda was added to the book which made multiple comments on censorship and its relation to the novel.

A more obvious interpretation seems to be that a government which tries to suppress freedom of expression should be opposed. In the early 1950's, when this book was written, the advocacy of opposition was seen as a bad thing by real world authoritarian groups (e.g. McCarthyism) that claimed to have all the answers.

Initial complaints about the book cited the use of the words "hell" and "damn" which were perceived to have a corrupting effect on its readership. There were also complaints arising from the fact that one of the books burned in the novel is the Christian Bible.


Like the opposition to "1984", the opposition to "Fahrenheit 451" seems to grow as the depicted society grows too similar to our own. One of these uncomfortable parallels is today's increased use of entertainment in place of learning and culture. Ray Bradbury has stated that this dumbing down was one of the concerns he was trying to raise.

In 1966 Francois Truffaut made a film adaptation of the book which has since gone on to critical acclaim.

6) A Day No Pigs Would Die by Robert Newton Peck (1972)


This young adult novel is a semi-autobiographical work which revolves around a boy's growing relationship with his father, a butcher who slaughters hogs, and his pet pig named Pinky. Based in the fictional town of Learning, Vermont, Robert Newton Peck involves his own childhood in this story to reveal the problems the young protagonist faces growing into manhood.

This book is often listed on the American Library Association's 100 most frequently challenged books. Objections are based mainly on its appropriateness for its target audience specifically citing the incidences of drug taking, profanity and sexual relations in addition to scenes touching on murder and the exhumation of an infant's grave. Other objections were that the depiction of life and death on a farm were just too realistic for a young adult audience. Most of these objections have since been overruled by the relevant authorities on the grounds that none of these scenes are gratuitous and are indeed intrinsic to the nature of the story.

According to the BFI database, the rights to the book were bought by Morgan Freeman's production company with the intention of making a film adaption with both Freeman and William Hurt starring. It seems, however, that this has become a shelved project.

7) A Light in the Attic, written and illustrated by Shel Silverstein (1981)


A children's anthology of poems published by Harper Collins in 1981. Despite winning a number of national book awards, the book has been criticised for its overly morbid themes and encouragement of childhood disobediance. Specific cited examples include "How Not To Have To Dry The Dishes" which is criticised for encouraging messiness and rebellion against authority and "Little Abigail and the Beautiful Pony" which describes the death of a girl after her parents refuse to buy her a pony. Other objections have centred on mentions of the supernatural.

Supporters of Silverstein's work have insisted that there is much humour in the anthology and have praised his realistic approach which encourages the admirable, indeed vital idea that life is not always perfect.

8) Slaughterhouse Five by Kurt Vonnegut (1969)



An extraordinary post modern anti-war novel which deals with the memories of a soldier during World War 2 and his experiences with time travel.

The novel has been the subject of many censorship attempts based on its purported frequent expressions of profanity and acts of sex. In addition, it was apparantely the first work of fiction to explore the idea that homosexuals were among the victims of the Nazi holocaust.

In the American Library Association's list of the 100 most challenged books between 1990-2000, Slaughterhouse Five turns in, rather appropriately, at number 69.

9) The Kite Runner by Khaled Hosseini (2004)



The Kite Runner tells the story of Amir, a young boy from the Wazir Akbar Khan district of Kabul, who betrays his best friend Hassan, the son of his father's servant, and lives in regret. Set against a backdrop of tumultuous events the novel chronicles the fall of the monarchy in Afghanistan through the Soviet Invasion, the mass exodus of refugees to Pakistan and the US and the rise of the Taliban regime.

The story, which includes the rape of a boy, provoked challenges in the US over what objectors saw as sexual content and offensive language. Some objections led to the removal of the book from library shelves, while others saw it replaced with bowdlerised versions minus the offending scenes.

Despite the objections the novel remains a critically acclaimed and masterful work.

10) And Tango makes Three by Justin Richardson and Peter Parnell (2005)

All Images plus title image via Google Images

Topping the American Library Association's top 100 list of challenged books for the third year running, And Tango Makes Three is a children's book which tells the story of two male penguins who raise an orphaned chick.

The book, based on a newspaper article which described a zookeeper's experience of watching two penguins trying to hatch a stone, has been criticised for being pro-gay, anti-religion and anti-family. It appears that some parents are unprepared to let their children have access to anything which challenges the notion of stereotypical parenting methods, despite the alternatives being a recognised and largely accepted concept in the modern world.

As a writer there are many responsibilities we face in honouring our contract with our readers. But If the above examples prove anything it is that we can never expect to please everyone all of the time. Rather, we should write from the heart; with integrity and passion for our material so that no matter how we are judged we will at least have pleased ourselves.






Wednesday, April 29, 2009

Write Now

If you always wanted to write a novel but never quite found the time (aka motivation), you could do a lot worse than join the annual national novel writing competition at NaNoWriMo.

NaNoWriMo, National Novel Writing Month - founded ten years ago by Chris Baty, is described as a seat of the pants approach to novel writing.

Here's the rather Faustian deal: you agree to apply the seat of your pants to the seat of your writing chair for one month and turn out 50,000 words of prose towards a first draft novel. in return you get to eat junk food and be excused from the tasks mere mortals have to contend with each day such as hoovering, tidying and taking out the rubbish (ok, so I wouldn't actually condone the last one).

There are no real winners or losers here; you either finish or you don't and it's perhaps testimony to the real hard graft of the thing when you consider that there is a huge drop out rate each year. In the bigger scheme of novel writing one month doesn't seem that big a deal but as soon as you start out you realise that this is much more of a marathon than a sprint. 50,000 words in one month equates to more than 1000 words a day (okay, so I'm also a maths genius) and for me, that's a tall order. On my very best days I can just about manage 1500, but the thing to remember is that this is a cumulative thing; rather like counting calories, it's the number you arrive at at the end as opposed to the daily totals that count.

Whilst 50,000 words (basically a novella) is probably not going to gain you much truck in the publishing world (unless you're
Ian McEwan) it's a great start to a longer work and a fantastic kick up the bum to getting your novel actually written.

Although it's described as a contest there are no real prizes (what did you expect: a medal?) If you do get to your 50,000 word total by the deadline of 30 November each year, however, you get a rather splendid certificate of achievement and a virtual badge of honour plus the warm fuzzy feeling of knowing you actually did it. And if you're serious about being a writer this is the only sort of reward you should be realistically aiming for at the beginning, anyway!

Word totals are verified by automated bots following submission after which time you also get the opportunity to upload your work to the site for feedback and comment from other readers, although I would say be realistic about how good the quality is going to be after a month and don't unknowingly put yourself out there for a public flogging too soon.

To date there are over 71,000 winners of NaNoWriMo, testament to its huge success. Last year alone 1,643,343,993 words were written by its participants. It also receives funding from quite a few relevant American sponsors including Writers Digest and Create Space who, along with the other supporters, offer considerable discounts off their products for NaNoWriMo participants.

Sign up anytime you want. The start date for this and every year's competition is November 1 and the deadline is midnight November 30.

No Plot No Problem, the companion book to the competition, written by its founder, is also available to buy, and whilst it probably won't teach you much about the actual craft of writing is a fun motivational aid to the process and a good read.

In addition the NaNoWriMo site is full of great stuff to keep you informed, including a members' forum area plus articles and interviews on writing, including how to take your novel to the next stage.

So get your pencils sharpened, your cupboard stocked with Pot Noodle, and get ready to write...





via NaNoWriMo
Title Image via Google Images

Friday, April 17, 2009

Lost for Words

Will Self claims to never suffer from it, Henry Roth took sixty years to overcome his, whilst John Fowles's particular manifestation saw him living out the last twenty years of his life as a virtual recluse in Lyme Regis. Whether it be real or imagined, Writer's Block does seem to be a common experience. Even the great Philip Larkin was sometime forced to declare "I haven't given up poetry; poetry has given me up". (Larkin later recovered his muse by writing schoolgirl lesbian fiction..)

The reasons and causes behind it seem as varied as the people who suffer it. Fatigue, inappropriate planning or that ceaseless persuit of perfection that has you in the grip of its claw and sees whole days and weeks pass you by as you search for
le mot juste. Right now I am sitting with a 400 page novel in front of me with only the faintest of notions how on earth it actually got here. Remember that scene in The Shining where Shelley Duvall comes across Jack Nicolson's manuscript (500 pages of the same bloody sentence)? That's kind of how I remember the process. I tend not to remember the days when the words flowed; I'm too fixated on the ones where they didn't. The days that gave meaning to dead ends, and black holes and I wonder what's on the telly. On one of the grimmest of days I even bought myself this but aside from being quite good to bite on it didn't do much for my problem.

So what is a writer to do when they just don't feel like themselves? Aside from Agatha Christie's advice, which was to eat apples in a bathtub, I hear, I would probably say just work through it. Go for a walk and then WRITE. There are only two rules to this method:


1) Don't show anyone, at least in the beginning.

2) Give yourself permission to write absolute shit (hence rule number one, above).

Somewhere in the maze of that crap, amongst the shopping lists and the painfully self-conscious thoughts that would make even a teenager cringe, you will hit upon what it was you were looking for. You will find a literary exit that will take you where you needed to go. It works. It's like the story of the kid in the stable: "with so much shit, there must be a pony".

Two other things that I routinely do which may or may not be of help are:

1) Quitting whilst I'm ahead. In practical terms this means finishing work for the evening whilst I've still got something to say. Sometimes I leave a page in mid-sentence, sometimes at the end of a chapter, but I always know what's coming after. That way, when I start the next day I can at least apply my hands to the keyboard and know that something is coming. It's a morale boost for your brain, if you like.

2) Listening to music or looking at images. Sometimes music says it better than words, sometimes pictures say it better than words. Let another medium take up your slack, be inspired by using more of your senses. This one is especially good if you're stuck right at the beginning, trying to harvest actual ideas. And because I'm nice like that, here are some I thought of already. Write on...




All images courtesy of Fffound
Title image: Edvard Munch, The Scream (1893)

Thursday, April 16, 2009

Shaggy Muses

This is my dog. There are many like him, but this one is mine...darn, wrong post (see A Room Of One's Own, below).

Is it just a coincidence that there is a long and well documented association between writers and their dogs? True, they hardly know the difference between a subjunctive or imperative mood or how not to split infinitives and yet there is still something deeply satisfying about a cold wet nose on your copy in those inhumanly early hours of the morning when the rest of the world is asleep.
I don't personally subscribe to the "unconditional love", theory, though. Dogs are one of the most conditional species on the planet, mainly due to our insistance on
anthropomorphosizing them almost out of existence via jumpsuits and sunglasses and a tolerance of behaviours we wouldn't stand for in our (actually) human companions. (I did, however, for a brief period of mourning after the death of our last dog, make my 3 year old son wear a T-Shirt with the words "Dog Substitute" on them. Sorry.)

Dogs have also inspired their fair share of literary efforts: Boatswain, the favorite pet of Lord Byron, was the subject of the poet's famous "Epitaph to a dog" whilst Gerald Durrall's dogs Roger, Widdle and Puke (which one do you fancy, then?) feature heavily in his books about growing up in Corfu. In addition, the few paragraphs on Darwin's theory about dogs and intention that feature in Ian McEwan's Enduring Love are some of the most memorable (for me) in the entire novel.

The rather frightening ability of dogs to get under one's skin is also demonstrated rather poignently by the story of Narnia creator C. S Lewis, whose dog Jacksie was killed in an accident when Lewis was still a child. Shortly thereafter Lewis decided to change his own name to Jacksie (Jack) by which he was known to friends and family for the rest of his life.

Shaggy Muses: The Dogs Who Inspired Virginia Woolf, Emily Dickinson, Elizabeth Barrett Browning, Edith Wharton, and Emily Bronte by Maureen Adams, documents the fascinating relationships between five celebrated authors and their dogs. Through death and depression to a persuasive essay on the shared social situation of dogs and women in Victorian Britain this is an interesting and thoughtful alternative history of writers and their four legged companions.




See you in the park.
..



A Room of One's Own


This is my desk. There are many like it, but this one is mine. It is my life. I must master it as I must master my life. Without me, my desk is useless. Without my desk, I am useless. I must write at my desk. I must write better than the competition who are trying to take all the good jobs. I must write before they write. I will. My desk and I know that what counts in war is not the books we write, the size of our books, or the fancy typeface. We know that it is the hits that count. We will hit. My desk is human, even as I am human, because it is my life. Thus, I will learn it as a brother. I will learn its weaknesses, its strengths, its parts, its accessories, its sights and its drawers. I will keep my desk clean and ready, even as I am clean and ready. We will become part of each other. Before God I swear this creed. My desk and I are the defenders of my livlihood. We are the masters of our enemy. We are the saviors of my life. So be it, until victory is ours and there is no enemy.

- Adapted from the U.S. Marine Corps Rifleman’s Creed.


A room of one's own, a space of one's own, or simply head space has always been one of the prerequisites of being a writer and is possibly the biggest financial outlay you have when you're just starting out (tax returns come later...). So this is my one. Or rather, a corner of our bedroom that also doubles up as my office.
Note its compact size...space to write doesn't have to be big. J.K Rowling started her career in cafes and on her kitchen table, and I have friends who write on their beds, lap trays and even in their cars when refuge from the chaos of everyday life is not forthcoming elsewhere.
What's important is that you do it. Everyday. Not when the muse strikes you (it never does; there's always something good on the telly), and not when you "find the time" (have you actually worked out how much extraneous crap you
do everyday?)
A good desk will be your friend for life. It will give you a focus (avoid under a window where you can while away whole hours looking at trees in bloom or the squirrels eating their nuts) and a place to store the accoutrements of your trade that you don't want decimated by food, kids or well-meaning partners when they need something to doodle on. Later on, when you start to get into the writing habit and, god forbid, start making some money, you can upgrade to a nicer desk which to me, is always an incentive. And invest in a good chair, too; that way you'll actually want to sit there for any length of time. I''m currently saving up for an Eames Time Life, but enough of my obsessions...
Below are some other peoples' desks. There are many like them, but these are theirs....







All images via flickr






Wednesday, April 15, 2009

Almost Famous

So the book has been out a fair while now and I'm still having to work for a living...who knew? But I am happy to say that I am steadily working my way up the ladder of the popular press literari. First stop was The Sun, then it was The Daily Express and finally, two weeks ago, I actually made it to the dizzy heights of a mention in The Guardian - Woohoo!!

Thanks to the great Helen McCusker at my publisher Harriman House I've also managed to do one TV campaign (for the Baby Channel),various stints at LBC radio, Mother and Baby and I'm Pregnant Magazines (don't get jealous, now...) as well as having several internet recommendations on parenting websites and blogs.I have also been within spitting distance of Fiona Phillips on GMTV!!! (Well, she talked to me over an earpiece). So now that I'm almost famous I wanted to share with you the perils and pitfalls of becoming an (almost) household name. Like going to Tesco first thing in the morning with a fractious three year old without any make-up. And having complete strangers examine the contents of your shopping basket, (which, incase you're remotely interested, contained not only sanitary protection but my mother's monthly consignment of denture tablets). It's not a big deal. I can take it. What did surprise me, however, was that even in the remote outback of being slightly recogniseable (and we are talking off the map remote here), people still regard you as public property to a lesser or greater degree and will take the opportunity to tell you to your face (or very loudly behind your back) just what they think of you and what you have done.

It even happens amongst friends...witness my recent presence at a dinner in which the subject of book clubs came up. One of the guests was slightly embarrassed to reveal that she had recommended to her group a book of shall we say, slightly dubious literary quality (her words, not mine) and immediately apologised to me for it being "probably not highbrow enough" to which another guest thought it appropriate to laugh uproariously and declare "you're talking to the woman who wrote the
ebay book".

It's certainly no recommendation for being a writer.

Courtesy of Robert Logan

Filming at the Baby Channel (One camera and no hospitality...)